Back to the list
logo Théâtre de l'Odéon
 |   Contact Us
 |   Mécénat & Développement |   Newsletter   |
Facebook
Dernière minute
  • Impatience !!!
    Prix Impatience :  le Prix du Jury ET le prix du public du festival ont été remis au RAOUL COLLECTIF pour leur spectacle LE SIGNAL DU PROMENEUR. Encore bravo à eux.
  • Stay connected !
    L'Odéon est sur facebook, mais aussi sur Twitter @TheatreOdeon ! Venez discuter, partager, et + si affinitées !
Précédent Suivant
This week at the Odeon
Présent composé
In May 2012 :
. a reading / performance by Pedro Kadivar, to close his residence: Lands of Exile, Territories of writing.
. a colloquium to think about Pierre Bourdieu, "The Inheritance of Insubordination"
. a discussion with Jean-Michel Maulpoix around Charles Baudelaire
. a concert of Monty Alexander, Opening night of the Jazz à Saint-Germain-des-Prés Festival...

More
 
 
picto librairie
L'Odéon en librairie
You need to install the Flash Player

Ivanov

in Hungarian, with overhead French titles
by ANTON TCHEKHOV - directed by TAMÁS ASCHER
Ateliers Berthier May 22 2008 > May 31 2008
Enlarge text Send a link to this pagePrint this page
Envoyer à un ami : Documentation > Archives past Seasons > The Past Seasons > Season 2007- 2008 > Credits :

 
 
 
 

Somewhere in an interior, and somewhere in the Europe of the 1960's or 70's, someone is hanging around a transistor that is on, and he more or less plans on organizing a party in order to kill time, and because he can't do any better, drowns his despair in a torrent of alcohol and words... Ivanov, is the first of Chekhov's plays to have been performed. As a young playwright, he was so ignorant of what would become a « Chekhovian » atmosphere, that he actually thought, in good faith, that he had written a comedy ! This detail though, did not escape Tamas Ascher, who has been familiar with Chekhov's work for over twenty years : the audience laughs often and wholeheartedly throughout this performance of a totally caustic Ivanov, where the opening and closing of doors beat out the rhythm of a sort of vaudeville play... The terrific Budapest theater troupe, Katona, makes each of the characters transcend their clichés ; embodied as such, according to Jean-Pierre Thibaudat, they « appear so much more vulnerable, closer to us than ever before."
 
 
 
|  Credits
|  Site Map
|  Newsletter