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  • Special Event
    An Evening with Algeria. Monday, February 13th at 8pm. In memory of the 50th anniversary of the end of the Algerian War
  • Musical Reading
    Marianne Faithfull, Wednesday, February 15th at 8 pm. Shakespeare’s Sonnets. A musical reading, accompanied by Vincent Segal, cello.
  • Cities on Stages
    Six european theatres mobilize themselves,  treating the key challenges related to « the coexistence » in the big cities of the European Union. First creation : Fabrice Murgia's EXILS (Bruxelles)
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This week at the Odeon
Présent composé
En février 2012, venez partager avec nous :
. une rencontre philo pour vous apprendre à "traverser les catastrophes" !
. une soirée exceptionnelle consacrée à l'Algérie,
. une découverte des philosophes amoureux : Heiddegger et Hannah Arendt par Raphaël Enthoven,
. un entretien avec Julie Wolkenstein autour de Marcel Proust.
. une lecture musicale de Shakespeare par Marianne Faithfull ...

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L'Odéon en librairie
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Ivanov

in Hungarian, with overhead French titles
by ANTON TCHEKHOV - directed by TAMÁS ASCHER
Ateliers Berthier May 22 2008 > May 31 2008
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Envoyer à un ami : Documentation > Archives past Seasons > The Past Seasons > Season 2007- 2008 > The Show

 
 
 
 

Somewhere in an interior, and somewhere in the Europe of the 1960's or 70's, someone is hanging around a transistor that is on, and he more or less plans on organizing a party in order to kill time, and because he can't do any better, drowns his despair in a torrent of alcohol and words... Ivanov, is the first of Chekhov's plays to have been performed. As a young playwright, he was so ignorant of what would become a « Chekhovian » atmosphere, that he actually thought, in good faith, that he had written a comedy ! This detail though, did not escape Tamas Ascher, who has been familiar with Chekhov's work for over twenty years : the audience laughs often and wholeheartedly throughout this performance of a totally caustic Ivanov, where the opening and closing of doors beat out the rhythm of a sort of vaudeville play... The terrific Budapest theater troupe, Katona, makes each of the characters transcend their clichés ; embodied as such, according to Jean-Pierre Thibaudat, they « appear so much more vulnerable, closer to us than ever before."
 
 
 
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