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  • Special Event
    An Evening with Algeria. Monday, February 13th at 8pm. In memory of the 50th anniversary of the end of the Algerian War
  • Musical Reading
    Marianne Faithfull, Wednesday, February 15th at 8 pm. Shakespeare’s Sonnets. A musical reading, accompanied by Vincent Segal, cello.
  • Cities on Stages
    Six european theatres mobilize themselves,  treating the key challenges related to « the coexistence » in the big cities of the European Union. First creation : Fabrice Murgia's EXILS (Bruxelles)
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En février 2012, venez partager avec nous :
. une rencontre philo pour vous apprendre à "traverser les catastrophes" !
. une soirée exceptionnelle consacrée à l'Algérie,
. une découverte des philosophes amoureux : Heiddegger et Hannah Arendt par Raphaël Enthoven,
. un entretien avec Julie Wolkenstein autour de Marcel Proust.
. une lecture musicale de Shakespeare par Marianne Faithfull ...

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The Theatre > History

1885 - The Triumph of the Arlésienne

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Envoyer à un ami : The Theatre > History > 1885 - The Triumph of the Arlésienne

 
 
 
 
The latter third of the 19th century was devoted to questions of comfort and safety: the stage and auditorium were heated by installing two huge warm-air furnaces; the foyers were adorned with portraits of actors, busts and medallions, and an audience evacuation area was built. Paul Porel was a man of the theatre, with extensive skills and charisma, and in his hands the theatre triumphed. 1885 brought "L'Arlésienne" by Alphonse Daudet to music by Georges Bizet, performed by the Edouard Colonne orchestra.

In 1892, the Odéon which Porel handed back to the State was fully renovated, and complete with an audience, repertoire and Réjane as the triumphant artiste. 1888 saw the advent of electricity, first used in March, on stage, in the auditorium and throughout the annexes. In September, electric light revealed the new ceiling by Jean-Paul Laurens. In 1896, a brief appearance was made by Antoine who ran the theatre for seventeen days, joining the Firmin Gémier theatre company which then went with him to premises on the boulevard de Strasbourg. Paul Ginisty was an intelligent but cautious man of letters, interested in keeping the public authorities happy and was in charge of the theatre, by himself, for ten years.


 
 
 
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