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  • Special Event
    An Evening with Algeria. Monday, February 13th at 8pm. In memory of the 50th anniversary of the end of the Algerian War
  • Musical Reading
    Marianne Faithfull, Wednesday, February 15th at 8 pm. Shakespeare’s Sonnets. A musical reading, accompanied by Vincent Segal, cello.
  • Cities on Stages
    Six european theatres mobilize themselves,  treating the key challenges related to « the coexistence » in the big cities of the European Union. First creation : Fabrice Murgia's EXILS (Bruxelles)
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En février 2012, venez partager avec nous :
. une rencontre philo pour vous apprendre à "traverser les catastrophes" !
. une soirée exceptionnelle consacrée à l'Algérie,
. une découverte des philosophes amoureux : Heiddegger et Hannah Arendt par Raphaël Enthoven,
. un entretien avec Julie Wolkenstein autour de Marcel Proust.
. une lecture musicale de Shakespeare par Marianne Faithfull ...

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The Theatre > History

1930 - The Odéon in Renovation

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In 1925 Paul Abram became assistant director of the theatre to Gémier, and later took over from him, in February 1930, remaining in the position until 1940. Abram pursued the huge renovation programme begun by Gémier, raising the flies by four metres and replacing wooden beams and floorboards with metal. He took the Odéon theatre company touring in suburbs, provinces and even internationally, as far as Eastern Europe. During the Second World War the Odéon was run by a series of temporary directors: Jacques Copeau, Pierre Aldebert, René Rocher, and for a very short period, Armand Salacrou with Jean-Louis Barrault.

In August 1944 the theatre was closed ; the Germans had taken up positions in the main foyer and were shooting at members of the Resistance movement positioned in the rue de l'Odéon. After Paris was freed from Nazi occupation, Paul Abram took over again and remained in charge until 1946. In April of that year, box office takings broke all records at the 986th performance of the "Arlésienne".


 
 
 
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